Italian, 14th Century  Related Paintings of Antonio Fiorentino :. | In a courtyard, Tunis | Two Children (nn04) | Landscape (mk13) | Portrat des Pompeo Marchesi. | The Song of the Lark |
Related Artists:
Abraham Bloemart
1564-1651 Dutch Abraham Bloemart Locations
George Bellows
1882-1925 Growing prestige as a painter brought changes in his life and work. Though he continued his earlier themes, Bellows also began to receive portrait commissions, as well as social invitations, from New York's wealthy elite. Additionally, he followed Henri's lead and began to summer in Maine, painting seascapes on Monhegan and Matinicus islands. At the same time, the always socially conscious Bellows also associated with a group of radical artists and activists called "the Lyrical Left", who tended towards anarchism in their extreme advocacy of individual rights. He taught at the first Modern School in New York City (as did his mentor, Henri), and served on the editorial board of the socialist journal, The Masses, to which he contributed many drawings and prints beginning in 1911. However, he was often at odds with the other contributors because of his belief that artistic freedom should trump any ideological editorial policy. Bellows also notably dissented from this circle in his very public support of U.S. intervention in World War I. In 1918, he created a series of lithographs and paintings that graphically depicted the atrocities committed by Germany during its invasion of Belgium. Notable among these was The Germans Arrive, which was based on an actual account and gruesomely illustrated a German soldier restraining a Belgian teen whose hands had just been severed. However, his work was also highly critical of the domestic censorship and persecution of anti-war dissenters conducted by the U.S. government under the Espionage Act.
Lambert Sustris
(c. 1515-1520 - c. 1584) was a Dutch painter active mainly in Venice during the Mannerist style. He is also referred to as Alberto de Olanda (Albert of Holland). He was born in Amsterdam, and only came to Venice when over 40 years old. His training is unknown, but he was utilized by the studio of Titian for the depiction of landscapes. He accompanied Titian on his trips to Augsburg in 1548 and 1550 - 1551, and there executed portraits. Returning to Venice, he was influenced by Parmigianino and Andrea Meldolla. He was a teacher to Girolamo Muziano. His son was Friedrich Sustris.